Tag Archives: G.I. Joe sculpt input sheets

Iron Grenadier by Mark Pennington

In the ongoing story of G.I. Joe, around six years in, “Destro goes it alone,” as the TV ad says, and starts his own army to fight both G.I. Joe and Cobra. Bold move. My brother and I loved it, even if Destro’s characterizations hadn’t hinted at such aspirations. “The Iron Grenadiers” were both the name of the entire faction, and the main cadre of soldiers, these guys in black and red:

That sword is missing a piece, by the way. The hoop was for hanging the sword on the Grenadier’s waist hook (visible above) — my brother and I found a sheathed sword useless, so we cut off the hoop and pretended the sword was drawn.

Here’s what the sword, plus those two fun firearms, look like in Mark Pennington’s original sculpt sheet:

But at the same time Pennington had designed a different helmet than what ended up at toy stores:

This design puzzles me. I can’t quite make out what the shape and the details mean. It’s certainly goggles and a gas mask, but the crosshatching is nebulous. Fellow Boys Toys member Bart Sears rendered this design into the final presentation painting (which I don’t have to share, sorry), so Pennington penciled it, R&D approved it, Marketing approved it, and the design went up the ladder to the VPs. Somewhere, someone decided that the helmet needed revising, and so five weeks after the initial drawing Pennington took another swipe:

Which is what ended up in toy stores.

It’s a handsome take. I’ve always preferred the neutral face plate of the 1986 Viper or the evil bank robber look of the ’82 Cobra Soldier. Here the Iron Grenadier looks like he’s always ready for a gas attack, and I’d prefer such a specific role, guy-who-enters-gas-attack, not go to the “regular” legions of Destro’s soldiers. I’d rather there have also been an Iron Grenadier somehow crossed with a Toxo-Viper, and then this plain Iron Grenadier have less technology on his face plate. (The 2008 recreation does a nice job dialing this back while still retaining the feel of Pennington’s original.) But with that black, red, and gold color scheme, and some details that nod to the regal and noble quality of the Destro character, the 1988 Iron Grenadier is a handsome action figure.

What do you think about the Iron Grenadier’s helmet?

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1988 Repeater turnaround by George Woodbridge

1988 GI Joe Repeater detail

My brother always got the big Joes, the heavy machine gunners. He got Rock ‘n Roll (both!), Roadblock (both!), and later, Salvo. To my delight, I finally “called” a Joe who was beefier, and came with a big weapon — steadi-cam machine gunner, codename: Repeater. Here he is in scale, plastic glory.

1988 Repeater action figure

But you came here for art, not well-disguised photos of my kitchen counter.

George Woodbridge, master illustrator! Did much of the ’88 turnarounds.

1988 Repeater turnaround Woodbridge

Mark Pennington, a big part of the Joe team at Hasbro. Did much of the ’88 accessories. And ’88 figures. (Later inked a lot of “X-Men.”)

1988 Repeater backpack PenningtonAnd that wonderous weapon!

1988 Repeater steadicam Pennington

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Windchill turnaround by Pennington

1989 Mark Pennington G.I. Joe Windchill close up

I had a thing for arctic figures. Even though my brother bought Snow Job, the tooth fairy brought me Iceberg, and from then on, it was quietly understood that I would get the arctic figures (or maybe I announced it?) — Blizzard with his many accessories, Sub-Zero with his giant machine gun. Except for the Stalker remake — Kevin had had the original ’83 Stalker, so he got dibs on any revisions. And ’89 Stalker was a tundra soldier, which is not quite arctic. I realize here I’m misusing the word “arctic.” I should just be writing “cold weather” — I got all the cold weather Joes — since an antarctic figure would be a different category. Anyhoo, I skipped Avalanche because he was underpainted and looked silly.

1989 Windchill and his crazy vehicle, the dragstrip racer-like Arctic Blast, was the one that got away. Never bought him, and the tooth fairy had moved on to other, younger kids. But I enjoy peaking behind the scenes at this Mark Pennington sculpt input sheet for Windchill.

1989 Mark Pennington G.I. Joe Windchill

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Behind the scenes of G.I. Joe – Hydro-Viper

Today’s art post is the complete sculpt input (i.e. “turnaround”) for the 1988 Hydro-Viper.  Again for casual or non-fans, let’s start with a photo (by me, not my fancy book photographer) of the production figure for a baseline comparison.

G.I. Joe 1988 Hydro-Viper figure

Here’s George Woodbridge’s turnaround.  Such a crisp and clean line, and a deft spotting of blacks.

G.I. Joe 1988 Hydro-Viper figure turnaround

Note that the figure is referred to as “Cobra Frogman,” so “Hydro-Viper” hadn’t yet cleared Legal.

Woodbridge’s association with G.I. Joe is limited. He drew most of the ’88 inputs, and did many of the Hasbro-internal figure presentation paintings that Dave Dorman and Bart Sears didn’t around 1988.  Writer Mark Evanier wrote a short biography of Woodbridge in 2004 when the artist passed away.  You can find it here, but if you want a shorter version, I’ll just throw out the terms “Mad Magazine” and “military and historical illustration.”  In the near future I’ll show a few more pieces like this here, and in the not-near future I’ll have Woodbridge’s Crazylegs (a Joe paratrooper) color piece in my book.

Here are three sheets of the Hydro-Viper’s accessories, drawn by Bart Sears.  In toys, Sears is known for designing Hasbro’s C.O.P.S.  In comics, Sears drew Justice League Europe and has recently penciled some Conan and Indiana Jones for Dark Horse.  Of note here is the ray, the most bizarre of all animals that any G.I. Joe figure came packaged with.

G.I. Joe 1988 Hydro-Viper backpack turnaround

G.I. Joe 1988 Hydro-Viper weapons turnaround

G.I. Joe 1988 Hydro-Viper manta ray turnaround

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