From 1981 to about 1987, Ron Rudat was Hasbro’s G.I. Joe figure designer. This drawing likely dates to 1984 or 1985. As with the last two we’ve examined here at A Real American Book!, it’s Rudat figuring out the look of Cobra’s Battle Android Trooper. Here’s a production B.A.T. that I purchased in 1986:
Here’s another Rudat concept, which for my own sense of organization I’m calling B.A.T. Concept #3.
In its plastic, finished form, the B.A.T.’s color scheme and robot-head make for a compelling villain. The interchangeable parts and the lenticular chest label add a dash of innovation that makes this one of the most fun-to-play with G.I. Joe action figures. My brother and I would have our B.A.T.S walk in a stilted, halting gait, and we’d make a clicking sound to mimic the mechanical march we’d heard in “Arise, Serpentor, Arise!,” a quintet of cartoon episodes that aired in the fall of ’86.
What about the B.A.T. strikes you?
We all likely respond to Wild Weasel’s signature red flight suit. Depending on the light, it’s a little maroon, a little magenta. But overall, it’s red. Red, the color of blood, the color of rage, the color of evil, the color of the Red Baron’s plane. Much of what made Cobra stand out so much from G.I. Joe those first few years, 1982 – 1986 or so, was color: Joes were generally greens, browns, and tans. Cobra was generally blue, black, and red.
After figure designer Ron Rudat finalized each Joe or Cobra, he would color several — sometimes several dozen — photocopies of his final drawing, and with markers or ink, brainstorm a myriad of color schemes. You lose much of the effect if you see any one by itself, as the real revelation comes in seeing ten or fifteen laid out together, all the strange and wonderful possibilities that might have been.
But here’s a might-have-been for Wild Weasel.
I think he might have gotten lost against a dark blue plane had he arrived in this grey. But it’s neat nonetheless. (Perhaps these duds against a red plane!) In what colors have you wanted to see Wild Weasel?
Sorry for the time off. Aaaaaand we’re back! With something simple, yet iconic, today. Ron Rudat’s presentation art for the 1984 Recondo figure, drawn in 1983. Ron designed the first seven or so years of figures, the sketches that turned into the sculpt input drawings, and for the first few years, he did the internal presentation work as well. This is a color photocopy, not the original.